This is on a very frozen lake. I like it because there is a focus on the children (all on the left side), but that it also gives a hint as to how huge the sky can seem in Minnesota.
Pre-de-corking of some French wine. Nothing particularly meaningful about 2006 as opposed to its neighboring years, but I thought it would make a cool shot.
I took this a few days ago for my mother, who lives in a place where snow rarely falls. It doesn’t quite show how the snow sparkled like glitter, both in the air and on the ground, but there is some of it. The morning sun is just peeking in at the top of the photo, and the tree casts its spreading shadow all the way to the viewer’s feet.
This ice-hole — be careful how you pronounce that — forms several times every winter at a place where melting snow and ice from the roof drip onto the inches of snow on the ground, itself too thick to be easily erased. This one, here full deep and reaching to the rocks below, even shows the no-longer-frozen snow giving in to gravity, a drop at a time.
A couple of large books, so large that they must rest supinely. If this doesn’t make you love old-style numerals, I don’t know what will.
This is one of my favorite photos that I’ve taken in the past year or so. Again on the frozen lake. He has stopped and seems to look at the chapel ahead, and he’s surrounded by snow, ice, cold. He stands out in his yellow mantle. No one else is near. Is he wondering what’s in the chapel, why it’s there, whether to go on ahead? Is he tired, glad, surprised, disappointed? Is he on a pilgrimage to this place, or does the planned end of his road lie elsewhere, this building in the woods an unexpected find? Is he the first one to come to it, or does he know there are others there?